Micheli says she and Izenberg are both interested in older characters. "The people that love Slomo are cheering for one person that got away and got to real freedom where he skates all day," Slomo explains in the film. "It was much more fitting with Slomo to have these three guys moving together in an organic way."Īs they skated, passersby would give Slomo high-fives and call out his name. "So it was sort of like this little caboose, going down the boardwalk," explained Micheli by phone from San Francisco. As Slomo skated, the cameraman shot on rollerblades behind him, and Izenberg, the director, was on a skateboard recording sound. Amanda Micheli produced "Slomo," and says the crew had to get creative during the shoot. The film includes stunning footage of Slomo skating. "I think what I’m doing, with all due modesty, is a type of flying," Slomo told the filmmakers. As Slomo, he's become known for that signature balancing move on one leg, arms spread like wings. He's fully embraced his nickname and hasn't stopped skating. "Every night I just went back to it like it was some sort of religious thing," he says in the film. He bought rollerblades and started to skate. He moved to Pacific Beach and a studio apartment. He said to himself: "Why don’t I just cash it in and start a whole new life?" He decided to be a completely different person. After a failed marriage and a health scare, he walked away from it all. They'd gone to medical school together.ĭespite all his wealth, Kitchin felt empty. It's simply titled "Slomo." Joshua Izenberg directed the film after his father told him about Kitchin's transformation into Slomo. "I lived in a mansion," he explains in a new documentary short chronicling his life and love of skating. John Kitchin, a hardworking neurologist who made a lot of money, which he spent on things like a BMW, a Ferrari, and an exotic animal farm. It looks like he’s skating in slow motion, which is how he got the nickname "Slomo." He's often grinning and listening to music as he weaves in and out of the crowds. He skates there every day – arms outstretched, gliding on one leg, the other lifted behind him.
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